The Story Behind the Canvas: Trending

The Story Behind the Canvas: Trending

In the realm of art, as in life, some of the most profound statements are made when we dare to confront and challenge societal norms and perceptions. Art, at its core, is a powerful means to start conversations, to provoke thought, and to give a voice to the unheard.
The Precursor: "Ghetto"
Before we dive into the narrative behind "Trending," it's important to understand its predecessor, "Ghetto." This artwork is an ode to the essence of Black Girl Magic and an unapologetic assertion that the term 'ghetto' is merely a misguided interpretation of our uniqueness.
"Ghetto is just Black girl magic that hasn't been commercialized," a quote by Dr. Nneka Uzoma GiGi, boldly painted beside an intricate and expressive hand, adorned with long acrylic nails and a french manicure. This piece serves as a testament to the reality that elements of Black culture are often unjustly labeled as 'ghetto' or 'undesirable' by the world at large, until they are appropriated, commercialized, and validated by the dominant culture.
The Evolution: "Trending"
Following the creation of "Ghetto," I found myself compelled to paint a sister piece, a complementary chapter in the story. This new work became "Trending," a striking visual representation of the very phenomenon it takes its name from.
In "Trending," an equally captivating hand with long, beautifully adorned acrylic nails commands attention. The intricate patterns in the background and colors of the nails, just like the ones in "Ghetto," are a vibrant celebration of Black style and culture. The quote on "Ghetto" serves as a bridge between these two pieces, reaffirming the message of cultural misappropriation.
"Trending" emerges as an unapologetic assertion that Black culture is consistently trendsetting, and its beauty doesn't require validation from mainstream culture to be significant. It's a statement that calls out the selective appreciation of elements of Black culture, highlighting how they are often ignored until they become 'trendy' or are embraced by non-Black communities.
The Message and Intention
Through "Ghetto" and "Trending," my intention has been clear: to affirm that Black culture is perpetually 'cool' and influential, with or without the endorsement of mainstream culture. These paintings serve as a testament to the resilience, power, and authenticity of Black women, our style, and our overall influence on global culture.
We must remember that the essence of Black Girl Magic is not a trend; it's a timeless and enduring force that has shaped art, fashion, music, and society as a whole. It's a reminder that Black culture, including the acrylic nails, the distinctive hairstyles, and the expressive art forms, is something to be celebrated, cherished, and respected every day.
In Conclusion
"Trending" and "Ghetto" are not just paintings; they are declarations. They remind us of the value of authenticity, the beauty of Black culture, and the enduring magic of Black women. They stand as a testament to the fact that what may 'trend' for some has been a cherished part of our culture for generations.
As we engage with these artworks, let us be inspired to embrace and celebrate Black culture, not just when it's 'trending,' but every day. Let us recognize that 'cool' is not a label to be bestowed but a legacy that's been here all along, as powerful and vibrant as ever.
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